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The Independent Variable

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🦾 Intro to Issue 58: Cyberpunk

Eye to the Telescope

Cyberpunk demands that we find the human in the face of oppression. It is a glimpse into the future we can experience inside the present. It is what happens when a world loses touch with its own humanity and asks us how we will survive in the margins.

Friend of Foofaraw, Casey Aimer (of Radon Journal), guest edited the latest issue of Eye to the Telescope, full of wonderful sci-fi poems. Highly recommend you go check it out.

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šŸ”  Die Grotesk design information

Klim

Because every creative endeavour has a small part of your soul and spirit, it would be too vulnerable and unbearable to admit the real cost and fear involved in making something new and offering it up to the world, to our customers and savage imaginary contempt of our peers.

Not me thinking about buying Die Grotesk despite having both Untitled Sans and Helvetica (and a terrible eye that can only slightly tell the difference when they are side-by-side…) On a more serious note, I love reading these long pieces about the thoughts, ideas, and process that goes into designing

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šŸ¤– The sort of mother fucker who makes SlopTok

Birchtree

I think people who are high on Sora 2 as The Next Great Thing are giving the same energy as those who thought Clubhouse was going to kill podcasts a few years ago or that NFTs were actually a great idea and were totally not just a bubble that would immediately pop.

Yes, exactly. And this is why I always said people who have zero concerns about AI are living in the clouds. Financially, economically, environmentally, ethically, and culturally—there are major concerns across all five of these areas. And the people in charge of these companies don’t

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šŸ¤– A cartoonist's review of AI art

The Oatmeal

Artists hate using it. Consumers hate consuming it And yet it thrives, like an Arby’s built inside a protected forest.

This whole comic nails it—especially that line. The only people excited about AI art are those who see it as some sort of tech bro hustle culture. But real artists, actual fans, and people already a part of these communities want and expect more from their art—even if they can’t always tell something was AI. Art I about humanity and connection and no matter how good AI gets at replicating things (keyword: replicating), it

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šŸ¤– AI-Directed movie ā€˜The Sweet Idleness’ releases trailer amid AI actor Tilly Norwood controversy: ā€˜the first movie’ made by an ā€˜AI agent’

Variety

The film is ā€œconceived to celebrate the poetic and dreamlike language of great European cinemaā€ and directed ā€œby an AI agentā€ called ā€œFellinAI,ā€ according to a statement.

This is gross. And not just because it’s removing the humanity—an essential component of art—from the creation, but it genuinely looks terrible. Can you imagine sitting through two hours of this ugly monstrosity? And yeah, I know, the tech will get better and not look this bad—eventually—but god is it ugly today.

šŸ¤– AI-Directed movie ā€˜The Sweet Idleness’ releases trailer amid AI actor Tilly Norwood controversy: ā€˜the first movie’ made by an ā€˜AI agent’ Read more